A day or two ago I was taking a gander at certain verses on the web and I ran over the words to "Live Like We're Dying" by Kris Allen. I've been especially into positive self-improvement of late, so these verses struck me. In all actuality, they can be a bit messy on occasion all through, however in general the message of this tune is a decent one, and that message impacted me. So I went to YouTube to pay attention to the melody, and acknowledged I had certainly heard the tune previously. At the point when I was simply frasi d'amore brevi perusing the verses on screen, I didn't know whether I knew the melody or not. As I paid attention to the melody on the web, I understood the verses never impacted me, until I saw them worked out. For pretty much nothing, that is an issue. The majority of the occasions, we don't have the advantage of having the verses before us as we tune in. We need to hear the words appropriately. So why this tune never made an association with me perusing the words? This is on the grounds that the words (in the section in any case) aren't sung the manner in which they would be perused on paper, or spoken. Singing is an overstated type of discourse, and needs be dealt with the manner in which talking would. So we should see what set off the distinction from paper to completed studio recording. Here are the verses for the principal refrain: Section 1 Now and again we tumble down, can't get back up We're taking cover behind skin that is excessively intense Why we don't say I love you enough Till it's to late, it's not very late The message is clear, in four lines of verse. Be bolder throughout everyday life. Live like you're biting the dust. Cool. Presently how about we HEAR the words. Look at the principal section in the start of the video on YouTube. Simply look for "Live Like We're Dying" by Kris Allen. Is this what you heard? Some of the time we tumble down can't get back up We're taking cover behind skin that is excessively intense Why we don't say I love you enough Till it's to late it's not very late So what peruses as four lines on paper, got cleaved up into around eleven little lines in the melody. Ordinarily, this would be fine, if every one of those eleven lines were an expression all alone. In any case, the issue here is that they're not. They're four lines slice up to be eleven, so the words would squeeze into the melodic thought. What's more, presently we're left with a verse that is not singing to us. We scarcely notice the words, since we don't perceive the expressions the manner in which we would in case they were addressed us.